Tag2017

2017 Editors’ Selection Awards: Cables and Interconnects beneath $1000

Transparent Audio The Link interconnect, The Wave speaker cable, PowerWave 8 AC conditioner
$ 100/1m pr., interconnect $ 220/8′ pr., speaker $ 125, Overall performance Energy Hyperlink $ 1195 PowerWave eight
The $ 100 The Link interconnect brings more than a taste of high-end interconnects to an entry-level value. Similarly, the $ 220 The Wave speaker cable is a bargain, offering superior tonality, wider dynamics, and a a lot more open soundstage. The PowerWave 8 conditioner is also an extremely price-efficient upgrade, rendering wider dynamic expression, smoother timbres, and higher musical involvement.

Wireworld Nano Eclipse
$ 175/1.5m
Nano Eclipse is about midway up Wireworld’s complete line of headphone cables, but it does not skimp in supplies or sonics. Eclipse is composed of OCC high-purity copper conductors in a DNA helix configuration surrounded by Wireworld’s Composilex 2 insulation. The result is so efficient that switching from a stock headphone cable to the Nano tends to make a distinction commensurate with significantly upgrading the headphones themselves. AT claims it’s not possible to overstate how much the Wireworld opens up, cleans up, and tightens up the sound. A no-brainer for any reasonably high-quality personal audio setup.

Audience Ohno
$ 199/1m (+$ 82/m) interconnect $ 209/1m (+$ 20/m) speaker
Audience’s new worth line of Ohno cables runs counter to the thought that fantastic wire usually demands heavy jacketing and complex conductor geometries. Sonically these featherweights were fast and extended with well-focused imaging and dimensionality. Most significantly they were not additive, nor did they crimp dynamics. They were also easy to position for desktop use, providing an unerring sense of musicality without having busting the budget.

Moon Audio Silver Dragon V1 IEM Cable
$ 195/48″
The Silver Dragon V1 IEM headphone cable is a drop-in replacement for use with in-ear monitors where light weight and flexibility are critical. The Silver Dragon IEM is a coaxial design utilizing a 99.99998% UP-OCC stranded silver 26AWG center-conductor for the positive leg. The center-conductor uses the identical Kevlar reinforcing as other Dragon cables. Accessible with numerous source connection alternatives as properly as terminations to match several brands.

Wireworld Equinox 7
$ 200/1m pr. unbalanced interconnect $ 225/1m pr. balanced $ 870/3m pr. speaker
Falling correct smack in the middle of Wireworld’s extensive new Series 7 line, the Equinox seems to be great value. The interconnect presented a pleasingly rounded and warm presentation not unlike that of Cardas Clear Light, even though the Equinox 7 speaker cable was quite related to the Cardas Clear Sky in sonics. Superb hum and noise rejection.

Kimber Kable Hero
$ 219/1m pr.
Yielding only a tiny bit in sheer handle, ultimate top-finish transparency, and inner detailing to PS’ reference Kimber Select KS-1021, Hero’s bass lives up to its name, prodigious in amplitude and definition (rather much better even than its pricier brother). This interconnect is either dead neutral or tilts a notch to the yang, with dynamics at after strong yet finely resolved in an basically grain-free presentation.

Nordost Purple Flare
$ 259/1m pr. interconnect ($ 26 per addl. half-meter pr.) $ 439/1m pr. speaker ($ 52 per addl. half-meter pr.)
Featuring Nordost’s classic flatline configuration the Purple Flare is a rung beneath the present incarnation of Blue Heaven, however it is a tiny trip to heaven on its personal. It genuinely shines in the midband with a driving, slightly forward energy that imparts dynamic liveliness to all genres of music.

The Absolute Sound Articles

A year in music starts 2017 with the ideal of 2016

The early days of January – the email inbox is nonetheless quiet, issues are for several nevertheless moving slow. But if musical perspective is possible only with hindsight, it is a moment when the picture of a moment in musical history has initial crystallized. The zeitgeist of an era begins to reveal its footprint.

This is not a appear back. It’s a round-up of the music we think appears forward. Tellingly, as well, the music that is most effective at performing that also has studied their history and created their art – numerous artists show up on our reissues and new lists.

It is a likelihood to take into account what inspired us – and where that inspiration could take us in the months of production to come. Because while a lot of may overlook their gym memberships or other resolutions, music producing is anything that really will drive us, that deserves moments of mid-winter reflection.

Of course, you’ve got to get an individual to navigate all that – apparent and obscure options alike. So we turn to our typical contributor David Abravanel for an extensive list and evaluation of the huge image.

Lamin Fofana.

Lamin Fofana.

The cross-generational collaboration of Kaitly Aurelia Smith with Suzanne Ciani inspired us all, a duo of modular divas that wowed everyone. 2016 saw the passing of Buchla, but Buchla lives on.

The cross-generational collaboration of Kaitly Aurelia Smith with Suzanne Ciani inspired us all, a duo of modular divas that wowed every person. 2016 saw the passing of Buchla, but Buchla lives on.

Best 30 of 2016, alphabetized
AGF – Kon:3p&gtUTION to e[VOL]ution (AGF Produktion)
Autechre – elseq 1-5 (Warp)
Barker &amp Baumecker – Turns (Ostgut Ton)
Biosphere – Departed Glories (Smalltown Supersound)
Boris / Merzbow – Gensho (Relapse)
Chrissy &amp Hawley – Chrissy &amp Hawley (The Nite Owl Diner)
Clarke:Hartnoll – 2Square (Very)
David Bowie – ★ (Columbia)
Deftones – Gore (Reprise)
Demdike Stare – Wonderland (Modern Enjoy)
DVA (Hi:Feelings) – NOTU_URONLINEU (Hyperdub)
Floorplan – Victorious (M-Plant)
John Roberts – Plum (Brunette Editions)
Kaitlyn Aurelia Smith &amp Suzanne Ciani – Sunergy (Rvng. International)
Kate Bush – Before The Dawn (Fish Individuals)
Kerridge – Fatal Light Attraction (Downwards)
LA-4A – Phonautograph (Delft)
Lamin Fofana – Doubleworld (Sci-Fi &amp Fantasy)
Leonard Cohen – You Want it Darker (Sony)
Lisieux – I (self-release)
Matmos – Ultimate Care II (Thrill Jockey)
Monolake – VLSI (Imbalance Pc Music)
Occult Oriented Crime – Just A Clown On Crack (Dekmantel)
The Orb – COW / Chill Out, World! (Kompakt)
Patten – Ψ (Warp)
Sea Nymphs – On The Dry Land (Alphabet Enterprise Concern)
Shackleton – Devotional Songs (Sincere Jon’s)
Shinichi Atobe – Planet (DDS)
The Field – The Follower (Kompakt)
Underworld – Barbara, Barbara, we face a shining future (UMG)

For a rich multi-course meal of music, techno and otherwise, Ostgut satisfied with Arc Angel.

For a rich multi-course meal of music, techno and otherwise, Ostgut satisfied with Arc Angel.

Prime 10 EPs/single of 2016, alphabetized
Aphex Twin – Cheetah (Warp)
Burial – “Young Death” / “Nightmarket” (Hyperdub)
E.R.P. – Ancient Lights (Solar A single)
Graze – Xup (Dekmantel)
Jay Haze &amp Kaan Bulak – 1840 (Contexterrior)
Lush – Blind Spot (Edamame)
Monolake – G M O (Imbalance Laptop Music)
Plaid – On Other Hands (Warp)
Rian Treanor – Pattern Harm (The Death of Rave)
Zeno van den Broek – Shift Symm (Establishment)

Leading 5 reissues of 2016, alphabetized
A Created Up Sound – A Made Up Sound (2009 – 2016) (A Produced Up Sound)
Altern eight – Full on Mask Hysteria (Bleech)
Biosphere – Patashnik / Patashnik 2 (Biophon)
Mike &amp Rich – Professional Knob Twiddlers (Planet Mu)
µ-Ziq – RY30 Trax (Planet Mu)

Ed.: I was blown away by how comprehensive David’s list was, but just a single missing here that I thought was one of the most critical reissues of the year – Luke Slater’s 90s-era The 7th Plain got a gorgeous reissue from A-TON, the cleverly-named new imprint of Ostgut. I wouldn’t want A-TON to be all about reissues, but a lot more like this would be welcome. -PK

Top 10 tracks of 2016, alphabetized
Beyoncé – “Hold Up” (Columbia)
Deftones – “Prayers / Triangles” (Reprise)
De La Soul ft. Rock Marciano – “Property of Spitkicker.com” (A.O.I.)
John Tejada – “Integrator” (Kompakt)
Leonard Cohen – “You Want It Darker” (Sony)
Lorenzo Senni – “emotiva1234” (Warp)
Lush – “Burnham Beeches” (Edamame)
Machinedrum ft. Ruckazoid – “Morphogene” (Ninja Tune)
Nick Hook ft. Novelist – “Can’t Tell Me Nothing” (Fool’s Gold)
Xeno &amp Oaklander – “Virtue and Vice” (Ghostly Intl.)

2016 was a year for a lot of old favorites – whether it was Suzanne Ciani, Autechre, Leonard Cohen, or The Orb. It was also a year in with some surprises from artists I believed I “knew” – Patten, Scratcha Dva, and John Roberts all released left turn albums that are among their very best.

Unquestionably, David Bowie’s ★ cast the longest shadow on the year – the the extent that it wasn’t challenging to take into account Leonard Cohen’s You Want It Darker as anything of a spiritual successor (and, sadly, Cohen similarly died shortly right after delivering his final masterpiece).

2016 may have been a grim year politically, but I’m left with hope for the function that art will play in 2017 – as reflection of reality, as charge for resistance, and as escapism. AGF remains a prescient political voice – not only did she arrive at numerous of the cyber-political explorations ahead of other artists, she’s nevertheless undertaking it greater than most. Lamin Fofana followed up a series of exclusive EPs with a devastating complete length – futuristic techno with an unflinching international eye. Floorplan’s spiritually good Victorious will stay in essential rotation, as will Machinedrum’s Human Energy.

On the escapist finish, Lorenzo Senni continues to deliver distilled rave, now with a cyberpunk bent. The return of The Sea Nymphs was far more than welcome – symbolizing as it did that Tim Smith is nicely adequate to begin revisiting recordings (and suggesting even much more Sea Nymphs – and possibly Cardiacs) however to come. That On The Dry Land was just as magical and captivating as The Sea Nymphs 24-year-old self-titled album (not to mention the 32-year-old Mr and Mrs Smith and Mr Drake album that 1st saw the three Sea Nymphs with each other) was icing. Lisieux’s I, a lovely bandcamp uncover, shows that there is a future for neo-folk that is not really as problematic as its previous.

Finally, I’ve got to acknowledge the heavy emotional hits from Shackleton’s Devotional Songs and Barker &amp Baumecker’s Turns. The former saw the veteran bass outlier group up with versatile classically-trained singer Ernesto Tomasini, for excellent and difficult match. If you thought Thighpaulsandra was “a bit subtle”, Shackleton and Tomasini were there so seriously smash you over the head with drama. Barker &amp Baumecker, meanwhile, followed up final year’s transcendent “Love Is A Battlefield” with an album that showed that single to be a sign of amazing items to come. Possibly the greatest album I’ve ever heard on Ostgut Ton (it is neck-and-neck with Shed’s The Traveller), Turns injects intense emotion into its interconnected techno pieces. It’s simple to hear Barker and Baumecker challenging themselves to go further – and succeeding with flying colors.

Goodbye 2016, and hello uncertainty. But we’ve got tunes.

CDM Develop Digital Music

MQA Amplifies Hi-Res Audio Activity at CES 2017

The following is a press release issued by MQA.

Las Vegas/London | 5 January 2017: MQA is an official supporter of the Hi-Res Audio Pavilion at CES, and will be participating in the DEG-led initiative to showcase studio top quality music and premium streaming solutions.  Occupying a special position as an enabling technology for music solutions, record labels and device manufacturers, MQA will help the activities of companion organizations who are primarily based on the Hi-Res Audio Pavilion, as properly as these exhibiting elsewhere at CES.

Eric Boulanger, founder and award-winning mastering engineer at The Bakery in Los Angeles, will be taking component in a live demonstration at 1pm on Thursday five January at the Pavilion. “MQA will be the 1st chance, in the history of recorded music, to straight hyperlink the music listener to the mastering studio, revolutionising my job and its value,” says Boulanger of the MQA format.

Music services update
International music and entertainment platform, TIDAL, has launched a new ‘master’ audio function and is supplying MQA music to all TIDAL HiFi subscribers.

TIDAL is committed to bringing members closer to their favourite musicians and offering MQA sound top quality will enable subscribers to hear music just as it was recorded in the studio,” stated a TIDAL representative.

Hi-res download store, HIGHRESAUDIO, is also expanding its MQA providing with releases from chosen Warner Music artists now accessible for download.

New companion announcements from Technics, AudioQuest and Audirvana
Technics are announcing the implementation of MQA into their Grand Class SU-G30 Network Player Amplifier in Spring 2017.

Michiko Ogawa, Director of Technics &amp Executive Officer of Panasonic Corporation, had the following to say in support of MQA: “The rapidly increasing music streaming industry demands important audio technologies like MQA to provide an authentic music knowledge to a mass audience. We are delighted to be operating with MQA to assist obtain this objective.”

AudioQuest, are also announcing MQA implementation in their USB DAC merchandise, DragonFly Red and Black. MQA will be accessible to AudioQuest clients later this month through a totally free software update. Steve Silberman, VP of Development, commented: “AudioQuest aims to provide amazing sound top quality and MQA implementation in our goods demonstrates this commitment. We’re quite excited to offer you AudioQuest consumers the best attainable audio knowledge.” MQA demonstrations will be in the AudioQuest Venetian suites 30-105 and 30-106, and at the Hi-Res Audio Pavilion.

Audirvana, creator of Audirvana Plus, the Higher-Fidelity software player for macOS, announced that MQA decoding will be obtainable in the upcoming Audirvana Plus three, which is due for release early 2017.  “The integration of MQA technology is a main step towards enabling all Mac users to hear their favourite artists as if they had been appropriate there in front of them,” commented Audirvana founder Damien Plisson.

MQA partner updates
Mytek has launched the Mytek Clef, a strong higher fidelity headphone amplifier and DAC that is MQA-enabled.  The new Mytek Clef will be on display at the Hi-Res Audio Pavilion in Central Hall and will be shipping in the second quarter of 2017.

NAD Electronics and Bluesound will be providing demonstrations of a number of MQA-enabled merchandise at The Venetian, Suite 30-235.  Products include the PULSE SOUNDBAR, the first soundbar to support MQA.

Pioneer’s subsequent-generation XDP-300R digital audio player will be demonstrated along with a sneak-peek of its new entry-level DAP.  Onkyo will be displaying the next iteration of its award-winning digital audio player with the DP-X1A alongside its new entry-level model.  Joining the digital audio players will be a preview of Onkyo’s new hi-res smartphone.  All items include MQA implementation and will be demonstrated in the Venetian at suite 29-309.

Beneficial details
– MQA has a base on the Hi-Res Audio Pavilion, Booth #14546 in Central Hall of LVCC.

– MQA will be present at the DEG press conference, area S228 of the LVCC, 12-1.30pm on Thursday 5 January.

– Other MQA partners demonstrating at the Venetian contain:

  • Bel Canto suite 29-318
  • Brinkmann suite 29-201 (Vandersteen area)
  • MSB suite 29-211
  • Aurender (Martin Logan area) 30-118

The Absolute Sound Articles

Bluesound to Showcase at CES 2017 Hi-Res Audio Pavilion

The following is a press release issued by Bluesound.

CES 2017, Las Vegas, NV | January 4, 2017BLUESOUND, the world’s initial wireless multi-space music technique to support hi-res audio, has partnered with DEG, The Digital Entertainment Group, to sponsor a special Hi-Res Audio Pavilion at CES 2017.

The pavilion, located in the Central Hall (Booth #14546) of the Las Vegas Convention Center, is made to highlight the essential listening rewards of hi-res music and showcase the finish-to-end process of generating the music we listen to, from recording to production to storage and to playback. In addition to the presence of pick device producers like Bluesound, the pavilion is also supported by a quantity of hi-res music retailers and streaming solutions the certifying physique for Hi-Res Audio merchandise globally, Japan Audio Society recording market representatives from the American Association of Independent Music (A2IM) and the Recording Industry Association of America (RIAA) MQA Ltd. and the Customer Technologies Association (CTA).

“We’re honoured to be selected to join such an elite class of audio makers and music pros at CES this year,” stated John Banks, Bluesound’s Chief Brand Officer.

“Bluesound’s roots are in hi-fi and so taking an end-to-finish strategy to acoustic design and style has often been our aim. The music that plays from a Bluesound player needs to sound as close as possible to what was recorded due to the fact that is the sound that the artist and the producers intended for the end user to hear,” said Greg Stidsen, Bluesound Director of Technology and Product Arranging. “We recognize, style for, and optimize the signal path that music takes from source to speaker to develop the truest attainable sound reproduction for our customers to appreciate at property, every single time.”

The pavilion will also function a completely functioning replica of the legendary Capital Studios Handle Space A exactly where The Beach Boys, Frank Sinatra, and other significant artists recorded some of their greatest hits. A number of hi-res recordings representing dozens of major and independent labels like Universal Music Group and Warner Music will be demonstrated for visitors interested in hearing the hi-res difference.

“At Universal Music Group, we are focused on delivering the highest-top quality music experiences to fans around the planet,” said Ty Roberts, Chief Technology Officer at Universal Music Group. “At CES we will showcase subsequent-generation premium features that are increasingly in high demand by shoppers such as studio-good quality sound and a treasure trove of high-definition album art and other photos.”

In addition to Bluesound’s presence at the Hi-Res Audio Pavilion, the company’s complete line of hires wireless speakers and digital music players will also be on display at CES 2017 at The Venetian, Suite 30-235. The suite will be open to CES attendees on January five, 6, and 7, to expertise hi-res audio on Bluesound items. Bluesound is a intelligent music system of audiophile-grade wireless speakers and digital players, that enable you to stream music from a library stored on your house network and a lot of popular music streaming solutions. All controlled with a smartphone, tablet, or laptop, users can knowledge accurate higher-resolution music in any space of the house, wirelessly. Bluesound is obtainable at authorized audio retailers in nations all more than the world or direct from Bluesound at www.bluesound.com.

About Bluesound
An alliance of audiophiles. We are the designers, engineers and men and women who have spent our lives in the music business. Our founders helped pioneer HiFi in the 70s – innovation and the pursuit of perfection in audio runs deep in our collective DNA. Bluesound’s sole mission is to create revolutionary wireless audio merchandise and technologies that enable for the most true-tolive performance music reproduction attainable, utilizing the most advanced, state-of-the-art digital technology.

The Absolute Sound Articles

2017 Buyer’s Guide: Power Amplifiers $10,000-$15,000

Air Tight ATM-1S
$ ten,450
JM has been delighted to have this stereo tube amp in her reference program. No matter what style of music she played, no matter what speakers she paired it with, the Air Tight ATM-1S delivered the sonic goods with naturalness, beauty, and ease, whilst also throwing a remarkably deep and wide soundstage. This 60Wpc stereo amp also proved to be more versatile than expected, driving a exceptional array of loudspeakers—from Air Tight’s Bonsai single-driver stand-mounts to Monitor Audio’s Gold 300 floorstanders and Platinum 500 flagships (at affordable SPLs)—to excellent impact. It shined brightly each time with a golden sense of bloom, inviting detail, and unwavering musicality. Its classically sophisticated design features a quartet of 6CA7 valves and newly created Hashimoto transformers. A creation from the celebrated Japanese master Miura-san of Air Tight, this uncommon gem of an amp is meticulously hand-crafted in Osaka, Japan, and manually point-to-point wired. A timeless classic. axissaudio.com

Constellation Inspiration Stereo/Mono
$ 11,000/$ 11,000 each
This 250Wpc stereo amplifier is primarily based on the same circuit topology as Constellation’s $ 140k Hercules. The Inspiration even utilizes the same transistors in the input, driver, and output stages. By means of the Inspiration delivers a much less pricey implementation of the Hercules’ topology, plainer metalwork, and less output energy, Constellation has nonetheless managed to bring the massive amp’s DNA to a more affordable cost. Despite the fact that not a price range component, a Constellation amplifier at $ 10k is some thing of a breakthrough. Like the Hercules, the Inspiration Stereo has a sense of lifelike illumination in the mids and treble, exquisite resolution of fine detail, and outstanding transparency. Surprisingly, the Inspiration’s bass may possibly even be deeper and far more effective than that of the original Hercules. The mono version brings 500W to the party, along with the other virtues of a monoblock versus a stereo amplifier. Sonically, the two are extremely related, sharing the Constellation hallmarks of transparency and resolution. All round, both amplifiers are amazing values. constellationaudio.com

Zesto Audio Bia 120
$ 12,500
Zesto’s new Bia 60Wpc Class-A all‑tube power amplifier, with styling to match the company’s Zeto linestage and Andros phonostage, brings the designers the trifecta. As with the preamps, Bia’s character consists in a totally seductive musicality totally free from all the usual sorts of electronic colorations and artifacts, for a presentation that never, ever sounds electro‑mechanical, instead often wholly natural. Dynamic variety is prodigious, the Bia even driving PS’s inefficient Quad ESL 2805s to clear, clean, unstrained levels (a magnificent mixture, by the way). Broadly neutral but not completely precise, the sound right here is far more gorgeous than genuine. Luscious, velvety, silken, gorgeous, it’s the type of sound about which audio cults develop, and it’s easy to envision its owners years, even decades hence treasuring the Bia the way other individuals do classic McIntoshes and Marantzes. zestoaudio.com

D’Agostino Classic Stereo
$ 13,500
The D’Agostino Classic Stereo represents a return to the venerable days when Dan D’Agostino was producing the stereo equivalent of muscle vehicles. There is nothing at all fancy about the casework to distract from the truth that this amp just desires to get down to company. It is a bruiser of an amplifier that will create a gobsmackingly capacious soundstage, not to mention considerable prowess in the nether regions. This 108-pound beast doubles down to a whopping 1200 watts into two ohms, which signifies that it need to have oodles of energy to spare for just about any loudspeaker. Can you say overkill? None of this would amount to much, even though, if the Classic Stereo sounded crude or clunky. But it does not. Rather, the immense energy reserves imply that it is never stressed, no matter how complex or demanding the sonic material. It conveys vocals with weight and authority. There is a kind of gleeful dynamic command with the Classic Stereo. Nonetheless, it lacks the last degree of purity in the treble region that considerably pricier amps, such as D’Agostino’s flagship M400, give. But for sheer drive and power, the Classic Stereo is not effortless to prime. dandagostino.com

Gamut Audio D200i
$ 13,990
This 200W strong-state amplifier has much of the liquidity, 3-dimensionality, and image density usually connected with tubes as effectively as the anticipated virtues of solid-state—tonal consistency, frequency extension, and bass control. It runs reasonably cool to the touch, is      tonally neutral, produces a deep soundstage, and should be quite trustworthy. Capable of driving most speakers and resolving musical information effectively, the D200i provides music lovers a wholesome portion of what Gamut’s even much more powerful and very resolving M250i mono amp sounds like at a a lot reduce value. gamutaudio.com

Triode Corporation TRX-M300
$ 14,000/pr.
Feel of the M300 as a contemporary version of the Western Electric WE 91A, complete with a 274B rectifier, a pair of 310A getting pentodes, and a Psvane WE300B. The colossal achieve of the original has been reduced to a affordable sensitivity of .8V. The energy provide has also elevated in sophistication so that the M300 is exceptionally quiet for an SET amplifier. Image solidity, according to DO, can only be described as magical strong-state amps would kill for it. Bandwidth and transient speed are quite impressive for an SET. Don’t expect bone-crushing bass slam, but prepare to be shocked by its dynamic prowess and the breathtaking acceleration of an orchestral crescendo from soft to loud. The M300 delivers a fitting testament to the potency of the very first watt and showcases the beauty and dynamic prospective of the much venerated 300B triode. Speakers of 96dB+ sensitivity are advisable. triode.co.jp

PS Audio BHK Signature 300
$ 14,998/pr.
This 300W (into 8 ohms) hybrid (tube input stage/MOSFET output stage) monoblock is the distillation of all that celebrated electronics designer Bascom H. King has learned about amplifier circuits. The outcome is a element so rich, organic, and highly resolving that reviewer Anthony H. Cordesman bought the evaluation samples. A genuine masterpiece from an Old Master. psaudio.com

AVM Ovation SA8.2
$ 14,999
The SA8.two does have a sonic character—every audio element does. But like some of the ideal energy amplifiers around, that sonic character is exceptionally limited. In truth, nearly all of the colorations you’ll hear by means of this amp will come from the other components. In neutrality and transparency the AVM SA8.2 comes close to delivering the sonic equivalent of the Golden Mean. Its power is rated, with intense conservatism, at 220 watts into 8 ohms, 450 watts into 4 ohms, and 650 watts into two ohms, meaning it can drive any true-globe speaker load, like nominal 1-ohm loads. It can also deliver an immense quantity of current, delivering up to 60 volts at the speaker terminals, and adequate amperage to deal with any current-demanding speaker. An exceptionally neutral and musical solution. avm-audio.com

Hegel H30 Reference
$ 15,000
This Norwegian powerhouse of an amplifier (375Wpc into 8 ohms) combines the brute-force bass control and dynamic influence of a dreadnought style with a midrange and treble refinement that is reminiscent of a single-ended triode amplifier. The midrange, in specific, is very vivid and present with out sounding the least bit pushy or forward, infusing the presentation with a palpability and directness of expression previously unheard in any amplifier near the H30’s cost. Probably the H30’s outstanding sonics and higher value can be traced to Hegel’s SoundEngine technologies, in which dynamic crossover distortion is greatly decreased by way of a patented circuit, coupled with a rigorous transistor-matching protocol. The H30 can be operated in bridged mode for 1000W, but some of the midrange magic disappears and resolution slightly diminishes. A fantastic bargain in higher-powered amplifiers. hegel.com

The Absolute Sound Articles

2017 Buyer’s Guide: Desktop Loudspeakers

Audioengine A2+
$ 249
Effortlessly one of the ideal bargains in higher-finish audio, the Audioengine A2+ powered desktop speakers are basically amazing. How is it possible to get such low-finish extension, wide soundstaging, pinpoint imaging, and smooth sonics from tiny desktop speakers that price $ 249? Even though the amps in the A2+’s are rated at only 15W, these speakers pump out sufficient sound to easily fill big rooms, and do so with no the distortion of most desktop transducers. Ideal for the workshop, bedroom, desk, or dorm room, the A2+’s should be at the best of everyone’s small, powered desktop-speaker list. USB, RCA, three.5mm inputs, and subwoofer-out make theA2+’s as plug ’n’ play as they come. audioengineusa.com

Paradigm Shift A2
$ 279-$ 329/every single
A 2012 Golden Ear recipient, the cleverly named Shift A2 is a lot more than just a significant loudspeaker—it’s a winning example of forward pondering. Compact, internally powered, equipped with DSP bass-management, and packed with adequate back-panel inputs to connect to almost any supply, it is what 21st century entry-level high end is all about. Its Everyman appeal bridges generations of music lovers, and it just takes place to sound great in the bargain. It won’t be for the devout traditionalists, but its combination of sound and worth extends the welcome mat to nascent high-enders who might have believed they couldn’t afford the entrance charge. paradigm.com

Focal XS Book
$ 299
To view the XS Books as just yet another pair of flashy-seeking pc speakers would do them a disservice. While functioning ideal as nearfield monitors tethered to a good computer-audio technique, the XS Book speakers also work beautifully as element of a tiny-space bookshelf technique, combined with a network player. We can very easily see an individual enjoying XS Books as part of a summer-weekend-residence sound technique: Store them in their case throughout the weekdays, along with all the cables, and you’re all set for a rapid Friday getaway. For $ 299, the Focal XS Book powered-speakers provide a lot of sound, flexibility, and functionality. And although, in the end, they are a life-style rather than an audiophile product, it’s a way of life that most individuals won’t thoughts living. audioplusservices.com

KEF X300A
$ 599
Feel of KEF’s perky little plug-in as a smaller sized, reimagined LS50/Uni-Q for desktop duty and the world of pc media. To fulfill this mission KEF contains Class D bi-amplified energy and a full-time 24-bit/96kHz USB DAC the outcome is a speaker system that is nicely balanced and dynamically adept across the macro/micro landscape, with a sturdy midband and a firm presence range. The X300A possesses an image stability and pinpoint focus that are only approached by single-driver transducers. It’s not a laid-back, cool-your-heels type of speaker. It has a pacey forwardness, and a bass response that’s a lot more dynamically punchy and well defined than it is actually extended. (On a desktop its response in no way descends below the upper bass.) But at the end of the day there’s no denying a jump factor that must get your trackball and paperweights dancing. kef.com

Audioengine HD6
$ 749
Possibly the most versatile piece of gear the clever team at Audioengine has come up with however. Powered, DAC-equipped, Bluetooth-enabled, the two-way HD6 is comfy on a desk or shelf, flanking a flat panel or set out in the space on a pair of stands. It’s basically a comprehensive audio system that only requirements a supply as humble as a smartphone to get it up and running. Sonically it has a forgiving signature in the treble variety, and an ear-coddling midrange with a warmer, slightly darker voice that is effective at conveying big sound from a small box. Bass response is largely quite good—a small overly enthusiastic in the upper midbass but with commendable control and usable extension into the 50–60Hz range. It’s hard to think about a loudspeaker that does far more for less. A crossover solution like few others. audioengineusa.com

Magnepan Mini-Maggie Program
$ 1490
The Mini-Maggie program is a 3-piece, ribbon-tweeter-equipped, planar-magnetic, dipole speaker method intended mostly for desktop use. Featuring tiny tweeter/midrange panels that sit atop the desk and a two-channel mid/bass panel that sits in the footwell beneath, the Mini-Maggie package is arguably the finest desktop speaker ever created. In fact, in detail, resolution, purity, freedom from grain, soundstage width and depth, and, above all, coherence, the Mini-Maggie rig sounds for all the world like a pair of Magnepan’s exceptional three.7s on a slightly smaller sized scale (which means that bass extension, the size of the dynamic envelope, and image height are reduced relative to the larger three.7). Interestingly, the Mini-Maggie can be utilised for whole-space applications, also, offered you set the method up in smaller sized rooms, hold volume levels moderate, and make a point of adding a second mid/bass panel for more reduced midrange/bass reinforcement. magnepan.com

The Absolute Sound Articles

2017 Buyer’s Guide: Floorstanding Loudspeakers $5,000-$10,000

Monitor Audio Gold 300
$ 5700
Monitor Audio, a forty-plus-year-old UK-primarily based manufacturer, is 1 of the pioneers of metal-driver technologies. Melding impressive sound with cool-seeking functional design, the surfaces of its proprietary C-CAM (Ceramic-Coated Aluminum/Magnesium) alloy metal-dome bass and midrange drivers are dimpled with small, round indentations in a graduated pattern that makes them resemble a sort of space-age honeycomb. Sonically, the Gold 300 tends towards a relatively “bottom-up” sound that is consistently balanced, wealthy, and full—and often musical. And its C-CAM ribbon tweeter boasts remarkable range. In addition to its stellar sonic capabilities, especially all through the midrange where its realism proved most striking, the Gold 300 is also really a attractive-looking beast—even a single that may meet with spousal/companion approval. Its smooth, curved enclosure not only appears attractive, but is also stated to decrease standing waves, and its MDF cabinet features radial- and cross-bracing for higher rigidity. Beauty might be in the eye of the beholder, but the Monitor Audio Gold 300 represents a special breed of loudspeakers that successfully combines style with substance. monitoraudiousa.com

Dali Rubicon 6
$ 5995
The objective of the 5-model Rubicon Series was to bring Epicon-like overall performance into the lineup at a sweet-spot price. Using the very same drivers all through the whole range not only makes manufacturing sense but also guarantees constant sonic voicing among the Rubicons for simpler mixing and matching—a boon if you are taking into consideration an upgrade to a multichannel setup. The two-and-a-half-way R6 has a ripe rich sound with superior upper-octave delicacy thanks to its excellent hybrid dome/ribbon tweeter—a Dali mainstay for years. A speaker with plenty of slam, it has a bold, effortless, near-complete-range sound that can veer a bit toward the plummy in the midbass. This bass-reflex design is capable of overwhelming smaller sized rooms, but will in the end settle in nicely in a cautious setup. NG concluded that, whilst imaging could be somewhat enhanced (as could its slightly laid-back upper midrange), the R6 produced a superb musical statement in its segment. soundorg.com

Emerald Physics EP2.three MK2
$ 5995
This hugely uncommon open-baffle speaker is built around a pair of 15″ woofers that operate under 100Hz, along with a 12″ upper-bass/midrange driver with a coaxially mounted lens-loaded 1″ tweeter, all under DSP handle. Bi-amping is required and necessitates either 4 mono amps, two stereo amps, or 1 4-channel amp (for stereo). An outboard crossover is supplied. This speaker excels in so several places, such as those that are central to the truthful reproduction of music in the residence, that they warrant the highest recommendation. When you issue in their cost, their value is off the charts. The prime end is smooth, sweet, and really natural. All kinds of orchestral, choral, opera, and other huge-scale music are reproduced with a thrilling sense of ease, authority, and truthfulness. The lens-loaded tweeter demands that you sit on-axis to recognize a organic tonal balance. The bass is impressive down into the thirties, and it can be very powerful. But under that, all you get is a sense of foundation and little in the way of definition and clarity. emeraldphysics.com

Magnepan MG 3.7i
$ 5995
Maggie’s new, three-way, accurate-ribbon/quasi-ribbon planar three.7i successfully addresses three troubles that have extended vexed “true-ribbon” Maggies: the seamless integration of that ribbon with the other planar-magnetic drivers the retention of detail and dynamic range at relatively low volume levels and the reduction of “Maggie graininess.” The answer of these difficulties combined with the renowned virtues of true-ribbon Magnepans (neutrality, low distortion, high resolution, excellent transient response, lifelike timbres, and organic imaging and soundstaging) generate what is, in JV’s opinion, the very best purchase in a high-fidelity transducer regardless of price, supplied you have adequate amp to drive the three.7i, and the space to home it. Note that the three.7i does not create deep bass below about 45Hz and, like all planars, runs into membrane-excursion limits, slightly limiting dynamic range (particularly in the bass) at really high SPLs. magnepan.com

Audio Physic Classic 30
$ 5995–$ 6995 (depending on finish)
The Classic 30, a 3.five-way bass-reflex design and style, has the sheer enthusiasm of an extrovert. No require to child this elegantly streamlined floorstander—it produces clean, dynamic, and alarmingly high output levels with out losing its carefully crafted voice. Timbre is colorfully rendered, while imaging, a standard Audio Physic strength, is precisely targeted. On prime, there is a coolish lift in the treble and a fractional dip in the presence variety, which, even though not strictly neutral, nonetheless enhances the air and articulation of a vocalist’s delivery. The Classic 30 descends convincingly, at occasions thrillingly, into the low thirty-cycle range with a near-equal measure of pitch definition and expressiveness. It’s a loudspeaker capable of the intimacy, transparency, and coherence of a fine two-way compact, coupled with the exuberance and variety of a multiway that doesn’t shrink from the wide dynamics and deep-bass challenges of huge music. vanaltd.com

Vienna Acoustics Beethoven Infant Grand SE
$ 6000
Refined, luxurious, and lovingly hand-constructed in Europe, the Austrian-designed BBG is one particular of the highest-worth components RD has ever run across. Very detailed with a convincingly three-dimensional presentation, the BBG conjured photos that had been stable across the soundstage with much more than a hint of vertical imaging data thrown in for good measure. Bass was not as effective as that from RD’s resident Snell E/IIs, despite the fact that it was “smart bass”—fast, tight, tuneful, and properly integrated into the speaker’s general frequency balance. A short sojourn with one more Austrian in residence, the all-tube Ayon Orion II, resulted in a slight thinning of timbre and loss of bass manage when compared with RD’s similarly rated but a lot more powerful NAD integrated the 250 watts recommended by Vienna Acoustics as an outer limit is not an unreasonable target. vienna-acoustics.com

Reference 3A Taksim
$ 6990
Reference 3A’s newest loudspeaker model is priced at a point where you’d have to commit a lot far more to boost upon its several virtues. This two-way style characteristics the “hyperexponential”-shaped mid/bass driver introduced by the company’s founder half a century ago and constantly enhanced upon because. This mid/bass unit is capable of exceptional linearity and dispersion, which translate into great detail and tonal realism. A beryllium tweeter is implemented practically without having the use of a crossover, protected from low frequencies and high power by a single non-inductive capacitor. The Taksims acquit themselves honorably in bass-heavy music with no the use of a subwoofer, even though utilizing one particular is surely an option. The grey Nextel finish has sonic positive aspects, but the largely non-reflective surface mostly serves to ensure that these biggish speakers won’t visually overpower a space. reference3a.com

Larsen Model eight
$ 6995
The Larson Model 8 represents a systematic rethinking of how speakers interact with rooms. It is designed to be placed against the rear wall, hence eliminating the rear-wall reflection. This method is completely diverse from that of close to-field directional speakers, and it has some merit. Orchestras sound surprisingly like orchestras, with a transparency that does not just go down into the midrange but all the way to the bass. The stereo imaging of the Model 8s is different from an ordinary speaker. Images are extremely solid, but the focus is of a distinct character from cost-free-space speakers, being either much more “dimensional” or much less precise, depending on one’s viewpoint. audioskies.com

PSB Think about T3
$ 7500
Paul S. Barton’s current flagship item is an exceptional value—a beautifully made full-range loudspeaker that, at a fraction of the expense, holds its personal with the most heroically engineered transducers on the market place. The five-way T3 is a extremely versatile speaker, created to perform at its very best in a wide range of rooms, thanks to the flexibility of its 3 woofers, each isolated in its personal sub-enclosure. One, two, or all 3 7″ woofers can be activated, with the alternative, as well, of inserting (provided) plugs into their rear-facing ports. Since of its voicing and power-handling capability, the Picture T3 is a wonderful rock ’n’ roll speaker, but it also has the tonal finesse and spatiality necessary to admirably serve classical music and acoustic jazz. An straightforward amplifier load—60 (high quality) watts per channel should be plenty. psbspeakers.com

Vandersteen Treo CT
$ 7990
A loudspeaker of uncommon musicality and precision. Constructed upon the R&ampD that gave birth to the flagship Model Seven, the four-driver, medium-scale Treo CT conveys a single-driver-like coherence that immerses the listener in the really moment the recording was captured. It combines uncanny image specificity, color, and texture with an enveloping sense of air and immersiveness. At least some credit must go to the Model Seven-derived CT (carbon tweeter), which is as transparent and open as it is extended. Basically a passive version of the Quatro Wood CT, the Treo could not have fairly the bass slam of that model, but you’d hardly miss it due to its unflappable resolution of pitch. A true classic. vandersteen.com

Von Schweikert Audio Endeavor E-three
$ 8000
Upon 1st receiving the Endeavor E-3 floorstanding speakers, SH couldn’t think his ears. This can not be a $ 8000 speaker, he thought. But it is. For $ 8k you get a well developed and voiced transducer capable of satisfying your each musical want, be it rock, classical, jazz, blues, or Katy Perry. These speakers are versatile, dip deep into the low end, offer terrific soundstaging and imaging, and do all of this for not a lot of funds. If you hear the E-3s, you will believe that they need to be $ 15k or much more. Von Schweikert has built a first-class loudspeaker, and created it in California. A “must-audition” for any person looking in the sub-$ 15k category. endeavoraudio.com

The Absolute Sound Articles

2017 Buyer’s Guide: Integrated Amplifiers Below $5000

NAD D 3020
$ 499
Genuinely a design and style for our occasions, the D 3020 is improbably small and transportable and loaded. The 30Wpc D 3020 delivers 24-bit/96kHz-resolution USB personal computer audio and aptX Bluetooth music streaming. For all its humble size and appearance it is pure NAD. Firmly midrange-centered, it never over-reaches in the sense of expanding shrill in one particular direction or tubby in another. Yes its lighter all round balance is due to some bottom-octave attenuation, but the D 3020 retains an vital presence, a midrange integrity, that sculpts the body of a overall performance and tends to make it reside in the listening space. Although there’s a little bit of a shaded ceiling over the leading finish, the D 3020 need make no apologies. The other argument is, hello, $ 499—making it by most requirements a tiny miracle of packaging and portability, and with a handful of exceptions a delight to use and listen to. nadelectronics.com

PS Audio Sprout
$ 499
Get in touch with it adore at very first sight. Basically place, JM adored this petite integrated amp/DAC from PS Audio straight out of the box. Regardless of whether you are into digital or analog, you’ll discover big-buck sonics and extraordinary versatility in a neat small package. In addition to a 50Wpc Class D amplifier, the Sprout comes equipped with a 192/24 DAC and an analog input-selector for all inputs (like Bluetooth, asynchronous USB, analog, and coaxial). The Sprout also serves as an analog preamp with a built-in, passively eq’d moving-magnet phonostage, and as a low-output-impedance headphone amplifier. JM was astonished by the detail and fullness of the sound, even when playing music back via her iPhone employing Bluetooth. Hats off to this Boulder, Colorado, firm for producing a receiver anybody can enjoy—and that is modest and light sufficient to tote in a handbag. psaudio.com

Cambridge CXA80
$ 899
Cambridge truly stepped up its game with its suavely restyled and affordable CX Series. A rung above its decrease-expense sibling the CXA60, the dual-mono, Class AB, 80Wpc CXA80 is prepared for the digital planet. With the CXA80’s built-in Wolfson 24-bit/192kHz WM8740 DAC, pc audio is as close at hand as the USB input—or use the front-panel jack for portable players. Despite the fact that it mysteriously lacks a show, which makes volume alterations and input switching more a matter of faith than precision, you’ll get over it, offered the CXA80’s smooth, relaxed sonic overall performance, and abundant headroom for a lot more demanding loudspeakers. Includes a full-function remote control and headphone jack. audioplusservices.com

Yamaha A-S801
$ 899
Is there any other audio element with as many characteristics as the A-S801 amplifier? And it’s not like the attributes had been just thrown in to impress the A-S801 shocked reviewer Vade Forrester by how good it sounded driving the inefficient KEF LS50 speakers in his largish area. No, it didn’t equal his far more expensive reference gear, but for the duration of a listening session numerous of his audio buddies mentioned they derived genuine musical enjoyment from the program anchored by the Yamaha A-S801 amplifier, and could happily live with it. Coming from a group of lifelong audiophiles, that is high praise indeed. The Yamaha A-S801 looks very good, sounds splendid, and has a long list of valuable characteristics at a price that tends to make it a bargain! usa.yamaha.com

NuPrime IDA-eight
$ 995
Sonically and functionally, JM identified lots to adore about the IDA-8. Essentially, it is a sleek-looking, small-footprint hybrid Class A/Class D integrated amplifier/DAC—that combines Class A warmth and resolution with Class D speed, energy, and efficiency. Its DAC supports USB 384kHz/32-bit and DSD256, and is also capable of decoding DoP (DSD over PCM) through coaxial and optical inputs. The nicely-conceived IDA-8 delivers substance with lots of gusto—and does so from an astonishingly quiet background. Considering that NuPrime’s founding, Jason Lim has continually sought to increase sonics by means of revolutionary technologies—in addition to supplying high functionality and worth with respect to pricing. This amp exemplifies that approach. A great-sounding stone-cold excellent deal. nuprimeaudio.com

Arcam A19
$ 1000
Need to have an cost-effective integrated amp that gives enough inputs for the whole household? Appear no additional than the Arcam A19, which is constructed like a tank, outputs a healthful 50Wpc, and employs parts from Arcam’s considerably much more expensive integrated amps. With seven analog inputs—including a high-good quality phonostage—and preamp outs, the A19 has lots of room for all of your sources and won’t break the bank. Top quality sound, superior build, and affordability are cornerstones of Arcam’s style philosophy, and the A19 exemplifies all of them. soundorg.com

Rogue Audio Sphinx V2
$ 1295 ($ 1395 with remote manage)
Rogue merchandise have, like their moniker, generally gone their personal way in style, price, and worth. The Sphinx integrated amplifier may be the most roguish of the lot. Tubes? One hundred watts-per-channel (200W into four ohms)? U.S. design and manufacture? For $ 1300? If that’s not adequate, this is the first Class D amplifier (in fact a hybrid with a pair of 12AU7 tubes in the preamp section) that RD feels offers correct world-class sonics. Consists of a extremely fine discrete headphone amp and a phono section that is worth the asking-cost all by itself. A volume remote is an alternative. The only snag RD encountered was a comprehensive incompatibility with his Kimber PBJ interconnects, despite the fact that this did not hold him from purchasing the evaluation sample. rogueaudio.com

Hegel H80
$ 1995
These who are (at times justifiably) frustrated with escalating rates, take heart Hegel’s 75Wpc, solid-state H80 integrated amplifier with onboard 24/192 DAC answers the call for high-performing audio kit at a quite affordable price tag. No, it does not have the seamless liquidity, higher resolution, and basic solidity of the far more expensive stuff, but it gets you enough of the higher-finish essence to be much more than a wonderful spot to begin. The H80 delivers a nice measure of musical verve, accompanied by a lack of listener fatigue that 1 hardly ever encounters in $ 3000 integrateds—let alone in one priced at $ 2000. Conversely, several integrated amps near its price tag with a low listener-fatigue factor too often also sound overly polite or reserved, where the H80 is musically involving, nicely balanced, and surprisingly strong for its rating. This is the actual deal…and a sweet deal, as well. hegel.com

Creek Audio Evolution 100A
$ 2195
This quintessential stealth amp packs more configuration choices than ought to be attainable in such a minimalist chassis. Class G topology drastically bumps up the power more than its 50A sibling, but it is the addition of the excellent 24/96 Ruby DAC module with several digital inputs and FM tuner that makes the 100A pop for today’s listeners. Other alternatives include phono and tuner-only modules. Lastly, there’s a accurate committed headphone amp, with front-panel jack, capable of handling leading-top quality cans. Sonics are smooth, vibrant, and unhyped. Frequency extremes are slightly attenuated—there is a little dryness on leading and a bit of soundstage constriction—but that does not detract from the 100A’s lively musicality. Involves a nice remote and extremely readable OLED display. In a planet of à la carte audio, the Evo 100A is an entrée with all the fixings. musichallaudio.com

PrimaLuna ProLogue Premium
$ 2399
For PrimaLuna, the Premium Series is the tweener line, geared to bridge the gap amongst the overall performance/feature set of the entry-level ProLogue Series and that of the more advanced and costlier DiaLogue Series. Sonically, the 35Wpc ProLogue Premium does not have the rosy, euphonic colorations of classic triode or SET tube varietals. Accurate, there is a glimmer of romance in its palette, but tonally it is a completely contemporary tube amp that walks a largely neutral line, however still reproduces the lowest-level particulars of music with an practically tender delicacy and resolution that combine the ideal of the valve and solid-state worlds. There’s an inner light to photos, plus a massive soundstage and cavernous dimensionality. The ProLogue Premium places the emphasis on ingredients that typically elude much more commonplace electronics—the liveliness and fluidity of the musical event. primaluna-usa.com

Parasound Halo
$ 2495
The Parasound Halo integrated amplifier looks quite considerably like other elements in the Halo line with its distinctive faceplate sporting a horizontal half-circle cutout operating parallel with the base. Like other Halo merchandise, the circuits inside are John Curl’s style. For $ 2500 it contains a strong fundamental amplifier coupled to an outstanding preamplifier with a built-in analog crossover as nicely as a DAC that supports all contemporary formats. Combine the Halo integrated with a comparable set of speakers such as the wonderful Audience 1+1 and a excellent subwoofer like the Velodyne DD10+, and you have the constructing blocks of a glorious-sounding small-space or nearfield program for around $ 7k. And even though SS wouldn’t get in touch with this an “entry-level” hi-fi, he would hazard to guess that for a lot of audiophiles such mid-priced components will deliver a high enough level of sonic excellence to make for joyous listening for numerous years to come. parasound.com

NAD C 390DD
$ 2599
NAD’s C 390DD may execute the very same functions as an integrated amplifier with an integral DAC, but appears can be deceiving. Rather than convert digital signals to analog and then amplify those analog signals with multiple standard acquire stages, the C 390 DD requires in digital data at any resolution up to 192kHz/24-bit and converts the PCM information directly to the pulse code signal that turns the output transistors on and off. This “Direct Digital Amplifier” technologies debuted in the $ 6000 M2 and now trickles down to the C 390DD. This new unit advantages from three years of extra R&ampD and a lot more attributes, such as a modular design in which most of the digital inputs are on replaceable cards to accommodate altering technology. And being software-primarily based, the C 390DD’s programming can be upgraded as properly. Throw in an automated system that removes the worst bass peaks and dips and you have an incredibly capable and compelling product. Sonic strengths consist of extremely wide dynamics with a sense of ease on even the most demanding peaks, tight and potent bass, and a treble that errs on the side of smoothness rather than resolution (a great point when partnered with a lot of mid-priced loudspeakers). nadelectronics.com

NuPrime IDA-16
$ 2600
A do-every thing DAC coupled with a 200Wpc Class D integrated amplifier in a sleek package that would appear great in any system, the IDA-16 plays music files ranging up to 384kHz PCM and DSD256—which includes all currently obtainable albums. The amplifier has five digital inputs and one particular analog input, and an analog output to drive subwoofers. Although listenable appropriate out of the box, with 150–200 hours of break-in, the IDA-16 becomes even more dynamic. Delicate, detailed highs are smooth, continuous, and quite extended, even though not at all peaky. Bass is also extended, with tons of impact. The midrange lacks just a smidgen of the detail present in other, more pricey amplifiers. The soundstage is very wide, with instruments realistically distributed between the speakers. Voices are unstrained and pure-sounding, bespeaking low distortion. At $ 2600, the IDA-16 provides a ton of worth for the value. nuprime.com

Exposure 3010S2D
$ 2795 (DAC option, $ 595)
Do not let the basic façade of the Exposure 3010S2D integrated amp fool you. It may possibly not have exterior glitz but sonically it is a true standout. Featuring a superb combination of poise, densely textured midband timbre, and dynamically authoritative power, the 3010S2D gives a compelling musical foundation plus, its low noise floor reveals the ambient riches that reside amongst musical passages. With an overall character that conveys warmer, darker shadings, reminiscent of a burnished walnut grain, it does not hype treble frequencies, etch transients, or evince any pernicious tonal peaks or bumps. Vocals, female and male, have realistic body in a distinct sense of place—with each feet on the ground so to speak. Don’t overlook the DAC option—it’s far more than worth the modest upcharge. exposurehifi.com

PrimaLuna DiaLogue Premium
$ 3399
The Premium version of the DiaLogue incorporates pick parts such as an ALPS volume manage, Takman resistors, and SCR tin-foil coupling capacitors in crucial signal-path places. The front finish is now all 12AU7-based. The amp ships with EL34 pentodes, but KT88 and even KT120 beam power tubes may be substituted, which nudges energy output to 42Wpc. DO opines that the KT120 produces the best sonics in either ultra-linear or triode modes. Operation of the KT120 in triode mode is a potent choice that can operate miracles with some speaker loads, though output power is halved. You can hardly do any greater when it comes to user-friendliness and operational flexibility. It is a tube roller’s delight as it dispenses with the bother of possessing to deal with biasing issues. primaluna-usa.com

Hegel H160
$ 3500
The Hegel H160 is an integrated amplifier that sneaks up on you rather than grabbing you by the lapels. A quietly sophisticated, self-effacing component, it delivers overall performance far exceeding its value. It is effective enough to drive a big speaker like the Wilson XLF. At the same time, not even a smidgen of harsh distortion is allowed to intrude upon the sound. No, it doesn’t compete in the category of the kilowatt (and kilobuck) amplifiers put out by the likes of Boulder Audio. But a battery of inputs on its back and the capacity to stream by means of an Ethernet port imply that it actually constitutes a jack-of-all-trades in integrateds. Any individual searching to assemble a reasonably priced method would do nicely to begin right here. hegel.com

Ayon Orion II
$ 3910
Tubes accomplished correct! RD knows tube amplifiers can sound excellent but fears their downsides. Enter Ayon, self-appointed ambassador of tube amplification, which runs a five-point test on every tube it ships, such as plate present, transconductance, heater-to-cathode leakage, gas ion existing effects, and microphony. The Orion II requires more than from there, incorporating Ayon’s auto-fixed-bias (AFB) program, which at the push of a button adjusts bias and checks for tube failure, noting which tube has failed via an LED. The system will also automatically “break-in” new tubes. Oh, and the Orion II sounds lovely, readily serving all sorts of music. Ratings in pentode (60 watts) or triode (40 watts) seem optimistic, and RD encourages care in the decision of loudspeakers, recommending a nominal load of 8 ohms or above. ayonaudiousa.com

Lyngdorf TDAI-2170
$ 4000
The Lyngdorf TDAI-2170 is significantly more than an integrated amplifier. Though it performs the functions of an integrated (85Wpc), it can accept just about any digital or analog sources, and also gives RoomPerfect DSP area correction. The RoomPerfect system does a outstanding job of smoothing out and neutralizing what the space is undertaking to degrade the sound of your speakers, and after you have heard how RoomPerfect fixes this up, you won’t want to go back to the uncorrected sound. Sonically, the TDAI 2170 is impeccable. The amplification, in certain, has an extraordinarily silent background, a sense of becoming “non-electronic,” and an potential to give direct access to the source material. Operating the TDAI 2170, like the room-correction setup, which requirements to be accomplished as soon as only, couldn’t be easier. Moderate value, compact size, ease of use, flexibility, and really exceptional sound are all correct there at the touch of a handful of buttons. lyngdorf.com

The Absolute Sound Articles

CES Innovation Awards 2017 Honoree: A.C.T. One Evolution P1

The following is a press release issued by Wilson Benesch.

NEW YORK and SHEFFIELD, England | Nov. 10, 2016 – Wilson Benesch (http://www.wilson-benesch.com) right now announces that it has been named a CES 2017 Innovation Awards Honoree in the High Overall performance Property Audio / Video category for its newly launched A.C.T. One Evolution P1 floorstanding loudspeaker. The A.C.T. One particular Evolution P1 embodies excellence in craftsmanship and revolutionary design and style. Its patent protected colored carbon fiber finish is a bold design statement that reaffirms the company’s position at the forefront of manufacturing and analysis in sophisticated supplies science within the higher-finish audio sector. Total with bespoke Wilson Benesch drive technologies, the A.C.T. One Evolution P1 delivers a exclusive, state-of-the-art sound experience. 

Merchandise entered in this prestigious plan are judged by a preeminent panel of independent industrial designers, independent engineers and members of the trade media to honor outstanding design and engineering in cutting edge consumer electronics products across 28 item categories.

Wilson Benesch’s new A.C.T. 1 Evolution P1 floorstanding loudspeaker introduces a revolutionary, patent protected, colored carbon fiber material to the higher-finish audio market for the 1st time courtesy of Hypetex. The A.C.T. A single Evolution P1 is the fifth iteration of Wilson Benesch’s iconic A.C.T. style, dating back almost 30-years to the very first A.C.T. loudspeaker. The new A.C.T. 1 Evolution P1 has been re-engineered from the ground up. Impeccable design and flawless craftsmanship can be observed throughout the A.C.T. One Evolution P1, from the choice of components, to the use of geometric forms within componentry and in the intelligent style of the critical drive technologies. The result is a extremely evolved, consumer loudspeaker, with optimal acoustic overall performance.

“The very first A.C.T. loudspeaker the company created back in 1992, was in truth the first higher-finish audio loudspeaker style in the globe to deploy a curved carbon fiber composite panel. Because then the A.C.T. design has turn into a signature loudspeaker of our brand that evolves iteratively with every single new product line. To this end the A.C.T. One Evolution P1 is a beautifully executed addition to this heritage, it denotes not only an evolution of the design in terms of its drive unit array, but also its patent protected colored carbon fiber finish is a bold style statement that underlines the company’s position at the forefront of the application of this supplies technology”, says Style Director for Wilson Benesch Craig Milnes. 

“Wilson Benesch has collected solution awards from all corners of the globe, but the organization won the CES Innovation Award in 1997 and once more in 1998 for the very 1st A.C.T. One loudspeaker. 20-years on, the A.C.T. One Evolution P1 represents the existing state-of-the-art in Wilson Benesch design, so receiving the CES Innovation Award 2017 is an acknowledgement of our continued leadership in sound innovation”, says Managing Director for Wilson Benesch Christina Milnes.

The prestigious Innovations Style and Engineering Awards are sponsored by the Consumer Electronics Association (CEA)®, the producer of the CES 2017, the international gathering place for all who thrive on the organization of consumer technology, and have been recognizing achievements in product design and engineering since 1976.

CES 2017, Las Vegas, NV, USA
January 5-8, 2017
Venetian Tower Suite 30-112, Courtesy of USA Importer
Aaudio Imports

Wilson Benesch’s A.C.T. One Evolution P1 loudspeaker will be on reside demonstration at CES 2017 in the Venetian Tower Suite 30-112, which runs from January 5-eight, 2017, in Las Vegas.

Honourees will also be displayed at CES Unveiled: The Official Media Event of the International CES on Tuesday, January 3, 2017 at Mandalay Bay.

The Innovations entries are judged primarily based on the following criteria:

  • Engineering qualities, based on technical specs and materials utilized
  • Aesthetic and design qualities, employing pictures provided
  • The product’s intended use/function and user value
  • Why the item deserves the Innovations award, including specifics relating to its exclusive/novel characteristics and attributes that consumers would find attractive
  • How the style and innovation of this item directly evaluate to other items in the industry place

Merchandise selected as an Innovations honoree reflect the revolutionary design and style and engineering of the entries. Examples may consist of the first time numerous technologies are combined in a single item or dramatic enhancements to earlier solution styles.

Innovations 2017 Design and Engineering honoree goods are featured on CESweb.org/Innovations, which lists item categories, as properly as every single item name, manufacturer info, designer, description, photo and URL.

Wilson Benesch was founded in Sheffield, England, in 1989 by Craig Milnes and Christina Milnes. These days the firm employs a diverse group of, designers, highly trained engineers and exceptional craftsmen, all devoted to realizing innovative, higher quality audio merchandise that push the present state-of-the-art in high-finish audio reproduction. Considering that its foundation, the brand has grow to be an icon of functionality and style excellence through its long-standing craftsmanship tradition and the strongest attainable commitment to higher-tech investigation and improvement specifically in the fields of sophisticated carbon fiber composite engineering.

Existing at the forefront of domestic user technologies, Wilson Benesch designs and manufactures all merchandise in-property, with an array of loudspeakers, turntables and higher finish audio furniture solutions that have been hand built to a bespoke specification of the quite highest common. Consequently, its present item variety is recongnized as 1 of the major British higher-finish audio exports across the globe. 

For far more info on Wilson Benesch, please visit http://www.wilson-benesch.com

The Absolute Sound Articles

© 2017 Jackivelo

Theme by Anders NorénUp ↑