I’ve observed examples Galiano-labeled guitars produced by just about all the “jobbers” — Harmony, Kay, Regal, and so forth. — but most are Oscar Schmidt merchandise and a few had been produced by the larger-finish “New York Italian Guild” luthiers which appear to have been gathered about Schmidt as a focal point. This a single is almost at the top quality level (and develop style) of those but I honestly consider it was produced in the Schmidt factory itself as it has much much more in typical with fancy Sovereign-branded Schmidts than it does with the greater-finish “Guild” Galianos.
This guitar was sent in via a client for repair and it received a neck reset (glued and bolted due to a shallow dovetail angle at the sides of the joint), a couple replacement frets, a fret level/dress, some tiny bridge repair (I countersunk a tiny screw to preserve a hairline crack in order) and a recut (for compensation) saddle slot, a brace reglue, new bone saddle, new ebony bridge pins, some minor hairline crack repairs to the back, and a very good setup, of course. She’s playing on-the-dot at 1/16″ DGBE and three/32″ EA at the 12th fret. The owner likes nickel strings so it is strung with 50w-11s in nickel.
I like this -size box a lot as a fingerpicker, though as a flatpicker it performs nicely, as well, if you have a light touch. I find that the farther up the Schmidt-style meals chain you go, the a lot more these guitars sound comparable to ladder-braced Larson and Vega goods — that is, they’re a bit a lot more clear-toned and balanced and less woody/bluesy like the decrease-market place Stella and La Scala merchandise created by Schmidt.

This a single is strong spruce over solid mahogany and has a Brazilian rosewood bridge with a stained-maple fretboard. The neck is mahogany and has a medium-sized round profile and a 25″ scale length.

The original, celluloid nut nonetheless survives.

Pearl dots are in the flat fretboard. This has a 1 3/4″ nut width.

Never you just love all that purfling and the rosette? It is gorgeous. The prime has a lot of wear and tear and some long lines in the finish, but it’s (thankfully) crack-totally free.

I filled the original straight saddle slot and then reduce a new, compensated, drop-in saddle slot. The treble side of the bridge had an old hairline split in it which I shored-up with a tiny, countersunk screw. The pins are new, ebony ones, and the compensated saddle is a new bone 1.

The back is also bound and has a good, inlaid backstrip, also.

As you can see, the neck reset allowed for a good, tall saddle.

A person glued the original endpin in at some point.